The Basilica as a "Monet" (courtesy of Photoshop Distort/Glass/Frosted)
Yesterday, I went back to the Basilica of the National Shrine of the Immaculate Conception. I had been there once before in 2007 with Washington Photo Safaris. The Basilica is a huge, exquisite Neo-Byzantine and Neo-Romanesque structure that is the largest Catholic church in the United States of America. A national historical landmark, millions of tourists and pilgrims visit it each year (see video below of the pictures I took and this link for the gallery from which they came).
I would rate the Basilica as having very good photographic atmospherics. I called in advance and got told that bringing a tripod in would be no problem (which is a fundamental requirement for good photography in a relatively dimly lit structure). Unlike some tourist attractions, it was hardly over-run with tourists (just a handful wandering through). I concentrated most of my efforts in several of the chapels and focused mostly on the elaborate ceiling paintings as opposed to the stained glass and statuary (see photographs below).
A non-HDR View of the Basilica
A Beautiful Ceiling Painting
A View from the Entrance down to the Main Altar
Another Ceiling Painting
An Even More Elaborate Ceiling
An HDR View from the Entrance with More "Effect"
Another Sweeping View toward Heaven
As for the technical details, I used my Canon EOS 40D SLR and my Tokina 12-24mm wide angle lens. As usual, I touched up the pictures using Adobe Photoshop Elements 6.0 and Google's Picasa2 program. I used the Photomatix Pro application to produce the high-dynamic-range photos of the place and the Noiseware plug-in to reduce the graininess of some of the images.












2 comments:
Nick - stunning photos. Great job.
Music you chose was exactly right for the presentation.
Many thanks for sharing.
Brian
Hi Nick
As usual, your images are stunninmg, even more dramatic with your new expertise in HDR.
You should consider renting (or buying used from www.Keh.com ) a 24mm PC lens from Canon to give you straight verticals on your exteriors and interiors. You can also straighten them out in Photoshop. This will make your shots look even more professional, all verticals should br parallel to vertical edges of your viewfinder.
Another less expensive alternative ia a 10 or 12 mm wide angle lens mounted verticlly on a camera that is perfectly aligned on a horizontal axis with the ground, then crop off bottom half of the photo.
David Luria
Washington Photo Safari
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